install theme

lenaprado:

"People are perfectly happy to see women as sex objects, but the actual biologic of our bodies is apparently gross and unmentionable."

Our Bodies, Ourselves.

(Source: divasdishblog)

nevver:

The waiting is the hardest part, John Register

as-s0ul:

Trust issues

(Source: emoccult)

steveholtvstheuniverse:

lmao like the only time i EVER see hard disney fans even mention ghibli and miyazaki in comparison to disney films is in light of disney’s own mistakes and laziness like damn y’all need to calm down

lemme teach you a lil’ somethin’ somethin’ about stylistic choices in animation and sheer laziness

STYLISTIC choices is about having the full capability of creating characters separate from the previous protagonists while at the same time tying them to the studio that produced them.

And that’s not even scratching the surface.

Considering that a good portion of Ghibli’s library consists of LEAD FEMALE PROTAGONISTS who are usually very young, they need to find a set balance between recognizable and unique.

Ghibli was founded on traditional art and the studio still holds many of those values with it. This is of course including hand-drawn animation in which there is no single model, only the same character drawn over and over again. Is this about CGI vs traditional? No, both can and have provided beautiful films and scenes but it’s not about which one deserves more recognition. It’s about the methods used and how the choices for each one vary. I only bring up the animation methods because it’s part of the reason as to WHY these characters are so simplistic in design.

Still though, they need each lead character to stick to the Ghibli/Miyazaki style to a certain extent. They need to share certain qualities to make them fall in line with the rest of Ghibli’s library.

I mean, they have their differences but they’re obviously Ghibli characters so okay they all have relatively small eyebrows (though considering that they are Japanese that ties in with their ethnicity but OKAY moving on), they all have the eye highlight thing going on, and they all have very non-pronounced noses. I suppose yeah those are all the same. They do shift but those characteristics are roughly the same.

Still though, that isn’t a problem nor is it blatant same-facing. All LAIKA characters have skewed noses, all Dreamworks characters have thin noses, and all Aardman characters have bulgy eyes. Does that mean they’re same-facing? No. It means they’re sticking to stylistic choices to keep themselves separate from the competition.

Don Bluth MADE the choice to stick to a style closely resembling Disney. You know what happened? A whole generation grew up thinking that Anastasia and Thumbelina were both DISNEY films, not Bluth and Fox animation.

There’s a reason why studios tend to go for their own set style.

But hey! Want even more evidence that it’s a stylistic choice?

Because THE VERY SAME CHOICES CAN BE SAID FOR THE DUDES

Save for Haku because he’s a fuckin’ dragon.

While gender is never really brought up in Ghibli films, masculinity and femininity are both neutral here, it’s safe to say that their designs and treatment are both equal. Ghibli isn’t out to make exclusively beautiful/handsome characters, they make them as simple as possible to keep them relatable and much more easier to manage.

The difference here is that Disney has always set out to make their MALES different while sticking their females to the same “doe eyed, small nose, thin lips” ideal. Yes, there is a set Disney style and it has always focused on those features and that necessarily isn’t a bad thing. It’s the Disney style. HOWEVER it seems to only apply to their females. Even worse is their marketing of said females.

GOTTA KEEP THEM GURLS PURTY

The Disney style has shifted from time to time and it shows evidence that it CAN include more diverse female designs. Both Kida and Calhoun are wonderful examples of this. It’s not as if Disney hasn’t evolved or changed their views on female characters to a certain extent. Unfortunately, said shifts haven’t always worked out in our favor or headed in the right direction. It wasn’t until Tangled that Disney came out with it’s true “get richer quicker” scheme with their female leads.

watch as i shift into MAXIMUM PUNZEL-DRIVE

As of late it’s Disney’s sheer laziness when it comes to female design and their own avarice that has caused SUUUUCH a dramatic shift in how fans are taking the Disney style now. When Ghibli audiences and fans never look at a new movie and go “oh it’s Chihiro but tiny” or “oh it’s Chihiro but on a broom.” That is the set style, not a lazy copy-paste.

But hey, let’s bring in OTHER females to see how this works out. I mean, the Ghibli style is prevalent to ALL of their characters so surely they all the parents look exactly like their children.

Let’s look at these lovely lady leads and compare them to their parents.

Congrats, kids, you’re all adopted!

WEIRDLY ENOUGH all of the characters and their parents (if they have any) share same characteristics while at the same time remaining completely unique to each other. It’s almost as if they also take after their father and/or previous generations of their familly. Haha, genetics!

But okay, let’s be a little more fair with Disney.

Let’s look at two families with two daughters.

Mitosis or go home

There is having stylistic choices and there is being lazy.

There is creating a character with similarities to their parent and there is making a recolor of your lead character.

There is creating simple designs for a traditionally animated film and there is reusing the same model because it worked so well the first time.

There is being a small Tokyo-based studio with 300 employees and there is being a large American animation studio with 800+ employees.

THAT is why no one ever complains about Ghibli’s approach to character design and THAT is why Disney doesn’t even come close to Miyazaki.

Let’s finish this off with some MORE wonderful Ghibli characters (most of which being my personal favorites so they belong on here too.)

Now go watch more Ghibli.

dance-0f-the-damned:

Albert Fish was a grandfatherly man who specialized in murdering and cannibalizing children. He was the real life Hannibal Lecter. He’s known best for the murder of a young 10 year old girl named, Grace Budd. The chilling letter Albert Fish sent to the parents of Grace Budd is as shocking as it is disgusting: 

My dear Mrs. Budd,

In 1894 a friend of mine shipped as a deck hand on the steamer Tacoma, Capt. John Davis. They sailed from San Francisco for Hong Kong China. On arriving there he and two others went ashore and got drunk. When they returned the boat was gone. At that time there was a famine in China. Meat of any kind was from $1–3 Dollars a pound. So great was the suffering among the poor that all children under 12 were sold to the Butchers to be cut up and sold for food in order to keep others from starving. A boy or girl under 14 was not safe in the street. You could go to any shop and ask for steak-chops-or stew meat. Part of the naked body of a boy or a girl would be brought out and just what you wanted cut from it.

A boy or girls behind which is the sweetest part of the body and sold as veal cutlet brought the highest price. John stayed there so long he acquired a taste for human flesh. On his return to N.Y. he stole two boys one 7 and one 11. Took them to his home stripped them naked tied them in a closet. Then burned everything they had on. Several times every day and night he spanked them-tortured them-to make their meat good and tender. First he killed the 11 yr old boy, because he had the fattest ass and of course the most meat on it. Every part of his body was cooked and eaten except head-bones and guts.

He was Roasted in the oven (all of his ass), boiled, broiled, fried, stewed. The little boy was next, went the same way. At that time, I was living at 409 E. 100 St. near-right side. He told me so often how good human flesh was I made up my mind to taste it. On Sunday June the 3-1928 I called on you at 406 W. 15 St. Brought you pot cheese-strawberries. We had lunch. Grace sat in my lap and kissed me.

I made up my mind to eat her. On the pretense of taking her to a party. You said yes she could go. I took her to an empty house in Westchester I had already picked out. When we got there, I told her to remain outside. She picked wildflowers. I went upstairs and stripped all my clothes off. I knew if I did not I would get her blood on them. When all was ready I went to the window and called her. Then I hid in a closet until she was in the room. When she saw me all naked she began to cry and tried to run downstairs. I grabbed her and she said she would tell her mamma. First I stripped her naked. How she did kick-bite and scratch. I choked her to death, then cut her in small pieces so I could take my meat to my rooms, cook and eat it. How sweet and tender her little ass was roasted in the oven. It took me 9 days to eat her entire body. I did not fuck her though I could have had I wished. She died a virgin.

hwaemelec:

@

(Source: dboybaker)

malformalady:

Nursery/Gaze of raccoons

somesickcat:

No photoshop. Just a kitty with HUGE EYES.

malformalady:

Decellurized pig heart or “ghost heart’. Decellularization is a processed tissue treatment by which cells are discharged. This is a technique being developed that may eventually produce organs for transplantation, composed of a patient’s own cells. The idea is to take a donor organ and strip it of all its cells, leaving nothing but the extracellular matrix that held the cells in place. This scaffold of connective tissue—called a “ghost organ” for its pale and almost translucent appearance—can then be reseeded with a patient’s own cells, with the goal of regenerating an organ that can be transplanted into the patient without fear of tissue rejection.

violenceandscience:

Silver/white hair love

frencien:

Wow!

(Source: blue-voids)

tuimaouu:

Marc Faiella and Nathan Saignes photographed  by Emma Picq and styled by Lu Philippe Guilmette  for Fucking Young! Online.

(Source: fuckingyoung.es)

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