install theme

(Source: shiny-cradily)

unamusedsloth:

Nude Portraits series by photographer Trevor Christensen

ohmychilton:

hannibal text post meme → part 6/6

johnnyideaseed:

daveboogie:

Here is a pic of Grace Jones shoving cake into Divine’s mouth at what I believe was Grace’s 30th birthday party…you’re welcome!

It’s like “The Creation of Adam,” but relevant to my interests.

flyartproductions:

MY ANACONDA DON’T WANT NONE UNLESS YOU GOT BUNS HUN

Lilith with a snake (1886), John Collier / Anaconda, Nicki Minaj

psychedelicway:

Lux Interior par Claude Gassian (Paris, 1984)

(Source: saintjohn)

fuckyeahtherealkiki:

True Crime + Text Posts Part II. As before, credit goes to those who made the actual text posts. Hey, btw, don’t be a dick and repost any of these, k? Thanks!

awkwardordeath:

scienceofsarcasm:

Evening Post: August 12, 1899.
"She immediately alighted, caught hold of the astonished youth, and gave him a sound thrashing, using her fists in a scientific fashion…”

I would love to know what this means.

She hypothesized that a right hook, right jab, left uppercut combo would knock him flat and then she tested her hypothesis, thoroughly.

cynicallys:

Anisocoria: inequality in the size of the pupils of the eyes.

(Source: untrustyou)

(Source: aterspolning)

GUREMIKE

(Source: thumkin)

asylum-art:

The work of Robyn Cumming

Robyn Cumming’s aesthetic can be described as Steel Magnolias gone awry, but in the best way possible. Working from the heaps and piles of the stereotypical female imagery we all know and love (or love-to-hate, depending on your own alignments), the Toronto-based artist creates a body of work exploring, exploiting, and evolving the ordinary into something a little more sinister, and far more eccentric. Her own clever bio sums it all up, quipping, “If [Cumming] were an emotion, [she] would be laughing that turns into coughing…and then dry-heave style crying.”

Decomposing iconography of womanhood and the clichés of femininity, she creates disturbing portraits of awkward, stiff figures, gorgeously delicate photographs of middle aged women, complete with mascara tears, and domestic interior landscapes of disturbed sixties suburbia, shag carpet and all.

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